M.C3.A9ringue-compas or cadence and its derivatives Compas

1 méringue-compas or cadence , derivatives

1.1 zouk
1.2 coladeira
1.3 cadence-lypso
1.4 soca
1.5 kizomba

méringue-compas or cadence , derivatives

the méringue-compas, rooted in many countries, has been strong influence , called other names: examples zouk, coladeira, kizomba, cadence-lypso.

zouk

zouk brief experiment; attempt develop proper local music should lessen or eradicate méringue-kadans or compas influence french antilles. when midi technology came out, kassav used fully, creating new sound in both fast zouk béton , kompa. antilleans on zouk other bands caribbean , africa added midi technology music, people got used it. because jump beat, fast zouk béton faded away, , antilleans continue play , dance méringue-cadence or compas.

coladeira

there strong compas influence in cape verdean music. during 1960s-1980s haitian artists , bands such claudette & ti pierre, tabou combo , gesner henry alias coupe cloue , dominican group exile 1 popular in africa. in addition, french antilles kassav , other french antillean musicians, main music compas, toured cabo island on various occasions. many cape verdean artists feature compas. talented tito paris dança mami criola (1994) example; cd featured music close haiti tabou combo, caribbean sextet, tropicana , french antilles kassav, etc. cape verdeans artists have been exposed konpa in usa , france. today new generation of cape verdean artists features light compas close haitian , french antillean. until haitian musicians tour cabo verde, tittle compas promoted zouk french antillean artists not popular.

cadence-lypso

webert sicot, originator of cadence known great virtuosity, harmonic skills, appreciated in caribbean. why term cadence more popular compas. cadence-lypso dominican kadans.

cadence , calypso 2 dominant styles in dominica hence name cadence-lypso. great majority of songs either calypso, reggae , cadence or compas. if there fusion should not significant enough listed on album or cd covers. cadence-lypso danced same way compas.

originally word cadence or kadans on album covers, whether grammacks or exile one. featured calypso, reggae , cadence: grammacks: mediba (kadans), banana (sweet kadans), ou pa bon, (kadans), ou pitit (kadans), reggae down, disco live (kadans) same tune categorized zouk retro deejay zak (midlay kadans 11/24/2011) exile one: akiyaka, gade deye...(midnight) ready 1997, etc.

exile one, leader of word cadence-lypso, featured reggae, calypso , cadence music. example: album exile 1 - gordon henderson 40 volume 1 features 14 kadans out of 18 tunes. 1. rosita 2. ba yo boi 3. jumbolo 4. jamais voir ca (calypso tune) 5. reflexion 6. n homme ka batte n homme 7. gadez deye 8. ah ta ta 9. ico vole 10. pompilili 11. aki yaka 12. vivent les vacances aux antilles (calypso tune) 13. ilyne (calypso tune) 14. nous travail pou ayen 15. cadence lypso 16. sexile 17. come here (reggae tune) 18. interlude. song cadence lypso kadans tune. third album collector kadance lypso features twelve méringue cadence tunes. album features tunes other kadans bands: 2. rigrete (midnight groover), serpent la (c top 6), la vie vini plus raid (belles combo) 9. coq et perroquet (liquid ice) 12. mwen di ou fe (black affairs) 7. chanson d amour ophelia (exile one).

it not sure whether band s intent fusion trinidadian calypso haitian cadence or compas since little done. song la dominique in album exile 1 old school session attempt, however, not repeated. band music repertoire cadence or compas features of style.the album exile one-old school session: gree/vert features méringue cadence or compas: 6 out of 8 tunes. 1) fete commune 2) torti 3) famille creole 4) d leau 5) sauvez riviere la , 7) sylvie of course band had personality; great kadans band. in 1970s, full-horn section kadans band exile 1 led talented gordon henderson first use synthesizers music other young cadence or compas bands haiti (mini-jazz) , french antilles emulated in 1970s. exile 1 toured many places kadans music: japan, indian ocean, africa, north america, europe, cape verde islands. other dominica cadence bands included grammacks. review exile 1 cd 40 anniversary, grammack collection 74–76 , others available @ amazon music: black roots, black machine, naked feet, belles combo, mantra, black affairs, liquid ice, wafrikai, midnighte groovers , milestone, while famous singers included bill thomas, chubby marc, gordon henderson, linford john, janet azouz, sinky rabess, tony valmond, jeff joseph, mike moreau , anthony gussie. ophelia marie popular singer of cadence in 1980s.

soca

in 1970s frequent tours of sicot brothers, exile one, , many meringue bands, compas or cadence rampa has become influential in several parts of world, caribbean. influence on calypso gave rise soca, closer cadence or compas.[16]

the calypsonian lord shorty of trinidad first define music , indrani in 1973 , endless vibration (not song entire album) in 1975, calypso music took off in direction. later in 1975 lord shorty visited friend maestro in dominica stayed (at maestro s house) month while visited , worked local cadence or compas artists. had maestro experimenting calypso , cadence. sadly year later maestro die in accident in dominica , loss palpably felt shorty, penned higher world tribute. in dominica, shorty had attended exile 1 performance of kadans, , collaborated dominica s 1969 calypso king, lord tokyo , 2 calypso lyricists, chris seraphine , pat aaron in 1970s, wrote him creole lyrics. after shorty released song, ou petit , words ou dee moin ou petit shorty (meaning told me small shorty ). soca s development includes calypso, cadence/compas, , indian musical instruments—particularly dholak, tabla , dhantal—as demonstrated in shorty s classic compositions Ïndrani , shanti om .

kizomba

kizomba popular music angola. derivative of traditional angolan semba french antilles compas. although music came africa, angola has been receiving haitian influence years. instance, great meringue queen haitian martha jean-claude lent voice , music angolan revolution; came cuban troops.[20] during 70s, haitian bands , artists such coupe cloue, tabou combo, bossa combo, dp express , dominican bands exile 1 , grammacks popular in africa.

after many cape verdean emigrants arrived in france exposed compas music in 80s, mixed traditional cape verde style, coladera, creating cabo love, similar kizomba , typically sung in cape verdean creole. rhythm confused kizomba, , heard in portugal when eduardo paim arrived there , released first record kizomba music. during 80s-90s, french antilles kassav has toured country compas, leaving influence. lately, kizomba has been close french antilles , cape verdian light compas , sung in portuguese. no wonder why kizomba shows strong similarity meringue-compas.[21]